Tim Greiving
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A Black avant-garde musician has successfully applied his visceral, voice-centered style to the films he has scored lately. His approach eerily suits the newest Candyman movie.
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Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.
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The first woman composer to win an Oscar for best original score is releasing her first album of music not written for a film or stage production.
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The film "63 Up" is the latest in a series of documentaries following a group of British children — filmed every seven years beginning when they were 7 years old. They're now 63.
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Star Wars: Galaxy's Edge, opens at Disneyland Friday. The attraction features sights and sounds of the universe, including a life size Millennium Falcon where the rider gets to fly the hunk of junk.
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Terence Blanchard received his first Oscar nomination for the BlacKkKlansman score. The 56-year-old jazz trumpeter from New Orleans has been Spike Lee's right-hand composer since Jungle Fever in 1991.
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Composers of color have long had to compete with dead white men for space on the concert stage. A new project, spearheaded by Rachel Barton Pine, seeks to correct that for the next generation.
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Jocelyn Pook has written award-winning music for the theater, dance and the concert stage. Her work can be heard right now in cinemas on the score to 'The Wife' and in households in the Netflix series 'The Staircase.'
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Tom Holkenborg draws on his history as trance DJ Junkie XL for the bombastic electronica-meets-orchestra music he has composed for Mad Max: Fury Road, Batman v. Superman, and now The Dark Tower.
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His sound has helped define David Lynch's work since Blue Velvet and was an essential character in the original Twin Peaks. Now, Badalamenti and Lynch are reuniting for the show's revival.