Lars Gotrich
Listen to the Viking's Choice playlist, subscribe to the newsletter.
-
Filled with pop mosaics, Surrender feels like a quintessentially summer album. Naturally, we asked Maggie Rogers for a roséwave playlist.
-
Cruise's instrument, a voice of such intense calm it could be unsettling, made her a natural collaborator of director David Lynch — and, later, new-wave icons The B-52s.
-
The Rock & Roll Hall of Fame's 2022 class leans heavily on pop hitmakers from the 1980s, but also includes rapper Eminem and country star Dolly Parton, who initially rejected her nomination.
-
At his last recorded concerts, the avant-garde outlaw's seemingly disparate sound worlds came together.
-
Mark Lanegan, who also made music with Queens of the Stone Age and The Gutter Twins, had a rumbling rasp in his voice that could convey the weight of the world.
-
Lucier changed the way we think about sound through monumental works like I Am Sitting in a Room and Music on a Long Thin Wire.
-
Resonant gongs, vibraphone, fluttering trumpet and groaning, synth-like transmissions from Aarset's guitar coalesce over the seven minutes of "Manta Ray."
-
"To Kill A Wind-Up Bird," off of multi-instrumentalist and composer Patrick Shiroishi's upcoming solo album Hidemi, layers saxophone and woodwinds in a frantic, yet controlled splatter.
-
The tri-city free-jazz band expands and distorts the shape of melody, noise and heart-thumping rhythm.
-
Microphones in 2020 is a single 45-minute track written to "unburden myself from the weight of all this memory," says Phil Elverum, "even though I also think it has so much value."